Psalm 118:19-29
Luke 19:28-40
SERMON “The Lonely Mountain”
My family joined the white flight to the suburbs when I finished 6th grade, before I would have started junior high in an urban school system. I can look back on that now through the lens of an adult anti-racist, which does absolutely nothing to change the past.
Because I had been considered gifted in my previous school, I was placed in the class with the highest achievers in my new school, an obvious mistake.
My homeroom teacher was Mr. Taylor. He was that teacher.
You know that teacher. There is one in every school. His classroom, the furthest from the office and cafeteria, was cool, had walls painted like a map instead of the pale industrial colors of the rest of the building.
In addition to the core learning expected of all seventh graders, he offered a menu of independent learning activities for credit. One of the items on that list was reading “The Hobbit,” by J.R.R. Tolkien.
I was already an avid reader, and I was probably going to be a nerd anyways, but that sealed the deal. I spent my early teenage years with my nose buried in the Lord of the Rings and various prequels and supplements.
So it was that I sat in a bedroom that was still relatively new to me, decorated for our nation’s bicentennial, and wept.
I had powered past Gollum and the forest, the initial events at the Lonely Mountain, and had just read of the death of a central character. I can still see the paperback, the quality of light in my bedroom, the quiet of the house, hear my own sobs, still more little boy than adolescent.
It was certainly not the first time I had cried, not the first time I had cried from deep sorrow, not even the first time a book had brought me to tears. But this was on a whole new level.
I’ve read plenty of books in the nearly half century since that day, wept more than a few times while reading, watching a film, attending an opera.
Great writing can transcend genre and make you care about a character, whether it is Bilbo Baggins, John Grady Cole, or Katniss Everdeen. And if you are wondering, that is a range from the fantasy of J.R.R. Tolkien and the gritty realism of Cormac McCarthy, to the brutality of Suzanne Collins, this last without a doubt the best author of the eerily prophetic genre of dystopian teen angst. The Hunger Games series, in which the powerless are sacrificed to entertain the powerful and maintain tyranny, is looking more and more like reality every day.
Story is how homo sapiens makes meaning of the complex and the mysterious. You can get as hardcore empiricist as you want, leaning into the long de-bunked outlook called positivism, which has nothing to do with positivity, but in the end, we tell the story of those scientific discoveries, the story of how those discoveries changed lives, changed the world.
No one does dramatic readings of the Pythagorean Equation or Fermat’s Last Theorem, except maybe at MIT, where I once worked as a Chaplain Intern.
I wept that afternoon a half century ago because I was learning through literature, learning that people, in this case hobbits and dwarves, are complicated and imperfect, that reconciliation does not always mean restoration, that good and evil lie on a continuum rather than a binary, that sometimes awful stuff happens.
The story worked as a story, moved me, because I started with the “Unexpected Party,” dealt with the trolls and the goblins, visited Rivendell and encountered the tricksy Gollum long before I got to the Lonely Mountain.
If I has skipped from Gandalf scratching a sign on the door to the climactic events at the Lonely Mountain, there would have been no tears, no trips to the bookstore for volume after volume of Tolkien’s writing, no Tolkien calendar among the Christmas gifts year after year.
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